衣领上的唇印

《衣领上的唇印》讲述的是什么故事？

《衣领上的唇印》　　The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.

一、《衣领上的唇印》是哪一年上映的？

《衣领上的唇印》是于1993年拍摄的一部经典欧美剧。此片开创英国当代欧美剧的先河，《衣领上的唇印》上映时票房稳坐前三，创下当年纪录。当时Giles Thomas,Ewan McGregor,Louise Germaine,Peter Jeffrey,Clive Francis均为最佳主角，Giles Thomas,Ewan McGregor,Louise Germaine,Peter Jeffrey,Clive Francis以精彩演技和突出形象，奠定在英国影坛地位。Giles Thomas,Ewan McGregor,Louise Germaine,Peter Jeffrey,Clive Francis饰演角色造型多年后仍为人所模仿。之前曾被人怀疑其能力，而《衣领上的唇印》却奠定欧美剧风格。《衣领上的唇印》首映时曾获海外欧美剧和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1993年代）英国优秀欧美剧齐名。

二、被称为欧美剧的开先河之作的《衣领上的唇印》，是最好的作品吗？

从斩获欧美剧最佳导演开始，很多观众就觉得这部《衣领上的唇印》是他极具代表性的欧美剧。虽然后来还拍出过评价很好的作品，但是《衣领上的唇印》依然常被认为是他欧美剧创作中的重要代表。

三、《衣领上的唇印》为什么可以成为经典？

提起英国，不少观众都会想到《衣领上的唇印》的名字。这部由导演，Giles Thomas,Ewan McGregor,Louise Germaine,Peter Jeffrey,Clive Francis主演的《衣领上的唇印》，在当时凭借鲜明的人物塑造和紧凑的欧美剧叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《衣领上的唇印》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《衣领上的唇印》？

《衣领上的唇印》口碑表现稳定，深受广大观众喜爱。不仅Giles Thomas,Ewan McGregor,Louise Germaine,Peter Jeffrey,Clive Francis的表演有看点，而且该欧美剧故事情节紧凑，影院3（3.hnttlq.cn）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《衣领上的唇印》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《衣领上的唇印》欧美剧的主要内容

《衣领上的唇印》是一部欧美剧作品，由导演执导，Giles Thomas,Ewan McGregor,Louise Germaine,Peter Jeffrey,Clive Francis主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的欧美剧故事。

《衣领上的唇印》　　The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.